Feelin' the Heat in St. Louis
I could start with the preternatural heat. Seeing 99 on the thermometer got to be routine. And though the saying goes "it's not the heat, it's the humidity", sometimes you get both in spades. Not that I'm complaining; I loathe winter and summer can't hug too tightly.
Let's start at the very beginning, a very good place to start...
The ostensible reason for going to St. Louis was to visit Nina and Anna Marie, two longtime friends (I used to call Anna Marie "Santa Maria" and ask where the Pinta was). Nina gave me a T-shirt emblazoned with the words "40 Years Old - That's Dead in Dog Years" this year so I'm re-thinking the friendship thing.
I loaded the truck with lots of “distractions” for what would be a eight-hour drive - daunting for those with a short-attention span. Snuggled close were snacks, a cooler, CDs, the audio book “Tis” by Frank McCourt (purchased for $1 at company garage sale – Bone would be proud), and nostalgia-producing tapes. Favorites included Jimmy Buffet’s tear-enducing “A Pirate at 40”…
I made enough money to buy Miami but I pissed it away so fast…never meant to last…, “Hail Holy Queen Enthroned Above” by the choir at the National Shrine in Washington (sung in the most plaintive innocence) and “Sweet Home Chicago”, off a nearly decomposed Blues Brothers tape.
But finally I arrived: the famous Arch could’ve been a giant trash-heap and I would’ve thrilled to it simply because it was a symbol that meant the end of the drive. After a quick check-in, we gathered under that same Arch with ten thousand others for something called “Fair St. Louis”, a three-day extravaganza held every July 4th weekend. Playing for free (if it’s free, it’s for me) was country star Brad Paisley, who sings an unabashedly pro-life
song. Lots of pickin’ and grinnin’, some blue grass and “How Great Thou Art”. Afterwards, the Arch was the frame for a fabulous fireworks display.
Baseballus Interuptus
On Friday we got back from the museums (Art & Missouri Historical) early enough for me to sneak over to the Border’s Books which was but a stone’s throw from our hotel. I sank into one of the comfortable chairs and read an interesting article on
boredom and baseball in the “Atlantic”:
It's there in Philip Roth's essay "My Baseball Years," from Reading Myself and Others: "Baseball—with its lore and legends, its cultural power, its seasonal associations, its native authenticity, its simple rules and transparent strategies, its longueurs and thrills, its spaciousness, its suspensefulness, its heroics, its nuances, its lingo, its 'characters,' its peculiarly hypnotic tedium, its mythic transformation of the immediate—was the literature of my boyhood." Hypnotic tedium. Has anyone ever put it better? Maybe only Don DeLillo, in the prologue to Underworld: "Dodgers go down in the top of the ninth and this is when you sense a helpless scattering, it is tastable in the air, audible in the lone-wolf calls from high in the stands. Nothing you've put into this is recoverable ..."
Unrecoverable. Is it any wonder baseball makes us choke up? Three hours a day, six months a year, the baseball fan commits himself to the game. Multi-tasking or mono-tasking, we carry it wherever we go. He listens. She watches. Next morning they read the game story, scan the box scores. On our deathbeds, surrounded by loved ones we almost remember ("Didn't you fetch me some Twizzlers once?"), we'll add up all the hours. Where is the return on all this time? As it says on the ticket stub, "nonrefundable."
The author, David Kipen, comes to this conclusion:
….Boredom is a luxury of the young... Here, at last, is how baseball works its lachrymose and soporific spell on us: we feel nostalgia and boredom, yes, but more than that, we feel nostalgia for boredom, for youth's immensities of wastable time. The lovely poem "Spring and Fall: To a Young Child," by Gerard Manley Hopkins, a man who held no particular brief for baseball one way or the other, begins, "Margaret, are you grieving / Over Goldengrove unleaving?" To be flat-footed about it, Margaret is a girl distraught over the arrival of autumn and the loss of leaves from a favorite copse. For a dozen lines or so the speaker consoles her as best he can. Then, in fittingly arboreal language, he delivers a couplet that distills Margaret's sorrow, and with it that of every grown-up ball fan who ever wondered how a simple game could become so complicated: "It is the blight man was born for, / It is Margaret you mourn for."
Blame Rome First
Walking out with just a magazine seemed an anathemna, so I picked up and began reading St. Augustine’s “City of God” and began to consider it a mini-scandal that I don’t have that on my shelves. If I can have DH Lawrence, surely I should have something other than just the Confessions?
So I go to the cashier, a fulsomely-haired and tattooed youth. I give a hearty hello, too hearty apparently, for he smiled and took this as an invitation to minutely inspect and comment on my purchases, something I promise that I will never do if I land the coveted job of bookstore owner.
“I like reading stuff like this,” he says pointing to “City of God”. “I want to read the Thomas gospel, but you just can’t find it anywhere.”
“Oh really? Out of print?” I ask.
“No…the Catholic Church is preventing it from getting out.”
He can tell by my silence I’m underwhelmed.
“You know those are the real words of Jesus…”
“The Catholic Church can’t stop someone from printing something…” I say.
“Yeah but they just don’t like it.”
To Be Continued