April 19, 2012

Let's Play...Why's My Bookbag or E-Reader Equivalent So Heavy?

...from The Map and the Territory by that Michael H. guy:
The Sushi Warehouse in Roissy 2E offered an exceptional range of Norwegian mineral waters. Jed opted for the Husqvarna, a water from the center of Norway, which sparkled discreetly.

*
he smiled with that cretinous enthusiasm and optimism which is difficult for non-Americans to counterfeit.

*

"Do you know why you’re attractive to women?” He muttered an inaudible reply. “I suppose you’ve had the opportunity to notice it. You’re rather cute, but it’s not that, beauty’s almost a detail. No, it’s something else.” “Tell me.” “It’s very simple: it’s because you have an intense look in your eyes. A passionate look. And it’s that, above all, that women are looking for. If they can read in the eyes of a man an energy, a passion, then they find him attractive.”
And City Boy by E. White:
I’d go to the Gotham Book Mart down on Forty-seventh, where I’d slump to the floor and read the books that were too expensive for me to buy. The Gotham was the ideal bookstore with dozens of literary magazines stacked on the counter up close to the front door beside the cash register and, halfway back on the right, a big table full of the newest books of poetry. On the walls were pictures of all the greats who’d read at the Gotham, including Marianne Moore and Cocteau and Dylan Thomas, some of them perched high up on a library ladder, posing above the elegant Frances Steloff (who died at 101 in 1989). Although she sold the “shop,” as she called it, to Andreas Brown in 1967, she was always prowling around, sometimes urging customers to buy.

*

I still idolized difficult modernist poets such as Ezra Pound and Wallace Stevens, and I listened with solemn but uncomprehending seriousness to the music of Schoenberg. Later I would learn to pick and choose my idiosyncratic way through the ranks of canonical writers, composers, artists, and filmmakers, but in my twenties I still had an unquestioning admiration for the Great—who were Great precisely because they were Great. Only later would I begin to see the selling of high art as just one more form of commercialism.

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