In Praise of One Hundred Watt BulbsToday’s Andy Rooney query: I don’t understand the concept of a 60 watt bulb, or at least I don’t understand why we have five hundred and eight-six sixty-watt bulbs in the storage closet of our house and nary a 100-watt bulb.

A 60-watt bulb is good for little in the winter, when it’s dark as Hades, and good for less in the summer, when we fall asleep an hour or two after nightfall.
Indeed, one of life’s little mysteries is the ubiquity, let alone existence, of the 60-watt bulb.
And so a candle burns in the bookroom. The fragranced flame flickers, casts a gleam off the covers of so many books –
too many books. Since the advent of Amazon.com their multiplication has made them seem vaguely accusatory: “
have you read me?“ Yet the sheen of so many covers makes me appreciate the human labor that oversaw the production of so many handsome books. I imagine myself a farmer looking over a field of flourishing corn at the end of the day.
End of the day - or beginning of the year? I’m trying to determine the over/under line on how long I’ll be writing “2007” on my checks. I’m guessing early March since I didn’t watch the ball drop in the Big Apple and imprint upon my brain “hey, it’s 2008!”. Nor did I spend time thinking back on the old year or making new resolutions for the new one. Instead I’d rather ponder why something once so important – the turning of the year – has become so unimportant. It seems somehow un-Catholic (where festival and interval is marked) or at least unsentimental to ignore such milestones. It seems ringing in the New Year has gone the way of kissing under the mistletoe and watching fireworks on the 4th ; surely I’m too young to be indifferent to such things.
Is it related to my reaction to
The Bucket List, a new movie starring Jack Nicholson and Morgan Freeman? My sister-in-law and her husband are dying to see that movie, no pun intended. Me? I’d seriously have to be paid about $30 to sit through it. This, I think, is some sort of symptom, some sort of interesting divergence that would have meaning beyond just different tastes in movies. From the trailers I’ve seen, the movie is about two old men, one about to die, who go around acting like teenagers. A lifetime of accumulated wisdom culminates in the jumping out of airplanes (no pilgrimages or soup kitchens to be sure). I might be a pedant, someone whose idea of fun is discussing Tennyson, but you can’t lose your enthusiasm for the little things as Chesterton
said. It's said that you stay young by hanging with the young though I’m not entirely convinced of the worthiness of that goal.
Fred has been recently posting on the necessity of avoiding seeing everything in ideological terms. So true. I believe it was Walt Whitman who said “I contain multitudes”, but the value of containing multitudes has been devalued lately. Ol’ Walt seemed a solid enough citizen until I learned I wasn’t supposed to like him, for millions of reasons, though I suppose it started when Monica bought Bill
"Leaves of Grass". Then too I learned Whitman was self-indulgent and wrote free verse and might’ve been reckless in his moral life and … well, life was simpler when I didn’t know ‘back stories’. When I was a kid anyone famous was defacto worthy of honor, or certainly anyone in print so long. Now anyone famous is to be regarded with suspicion. But there is something lost and something gained --- oh no! did I really just quote
"Both Sides Now"?!

I remember hearing one college fraternity member singing
"Think of Laura" without irony - that most syrupy of songs as recorded by Christopher Cross and made famous by the soap
General Hospital. Hell I liked the song too if not brave enough to sing it. Sentiment was in the air then. Perhaps literally – how much of an era is defined by its drugs? Weren’t the ‘70s the era of marijuana (reverie) and the ‘80s the era of cocaine (speed)? Aren’t the 2000s the era of Starbucks, and manic levels of caffeine?
I was looking at the “favorite book and movie list” of a guy about ten years older than me and it was the quintessential list of the baby boomer. Vonnegut, Asimov, Adams’s The Hitchhiker's Guides, Zepplin. We can’t escape our influences can we? How can I cringe at his list and not my own? It’s funny how I remember a mostly forgettable show – “
The Monarch of the Glen” – for reasons not readily at hand. I’d love to see it again - it used to be on BBC America – but I’m not sure whether I’d enjoy it. “
Ballykissangel”, the BBC show set in Ireland, also creates a pine. Ach!, Assumpta!

I was so smitten by Ireland then that even in her ugliest guises - i.e. in McCourt’s “
Angela’s Ashes” - she transfixed.
____ Listening to one of John Denver’s old albums, the thought suddenly occurred to me that he is dead - the pole star of sentimentality is gone! Maybe I lost some of my sentimentality with him; it’s shocking to think I’m at 1987 in Denver years. His peak music-making years were far behind at that point.
For all the faults of the ‘70s there was an innocence. How can you hear John Denver’s “
Calypso” and not feel it? Bill O’Reilly had the girl who played the niece of Captain Steubing on his show tonight. They played excerpts of “
The Love Boat” and that show wouldn’t last a minute on today’s television simply for its sweetness and absence of cynicism. Everything takes place so much more slowly - the dialogue, the meaningful glances, the lingering smiles.
But I digress. It’s 2008, and time passes so speedily that there’s no time for digressions. It’s the age of microprocessors, the Internet age, the email age. It’s the age in which we shrink our IQs via the the powerful combination of a derelict school system and a short attention span.
I’m still inspired by the little ember at Hambone’s
site in which he wrote tightly in that nearly infinitely private space (only one reader there he says, i.e. me). There’s a straight-aheadness to his writing, like a half-back through the line. While jogging around the rabbit track at the fitness center, I was reminded of the similarities between good writing and good running – both involve an eager, no-wasted-motion form of concentration. A professional writer once said it was like “swimming underwater” and I’ve yet to hear a better description of writing: so private and so breathless.