You could argue that this is nothing more than the continuation of an authentic religious tradition in America, where we have always been suspicious of orthodoxies -- and of Rome, in particular -- and where we believe that everyone has the right to discover and interpret the truth for himself. But what seems different in the thriller theology is the element of paranoia and distrust, and the sense that even personal virtue may not be a sufficient bulwark against being duped. Religion, in this formulation, turns out to be less about revelation than about plots.
On the other hand, at least in the Brown version, there's that welcome notion of a sexy, uxorious Jesus; Jesus the family man. What would he read? People magazine probably. What would he drive? A van, of course -- one big enough for all the kids.
November 22, 2003
Charles McGrath is, like many of us, surprised by the succes of the egregious Da Vinci Code (from the NY Times):
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