Like Shy Animals
I remember the night
on the blank Atlantic
looking up at a sudden host of stars
like deer grazing freely
where man couldn't hurt them.
Full sun on a Monday afternoon in Cloudumbus - wonders never cease! Sporting near-60 degree temps such that I could wear sunglasses indoors. Pretty stellar for March 10th. I love the way the sun shines in through our huge windows late day thanks to the miracle of Daylight Savings Time. Sun won't set till around 7:30pm now. Love the way the light streams in and illuminates the sharp wood color of the end table and how it catches the colorful red dust jackets of the Little Rock Bible and New Oxford RSV. Nice to finally use my ballpark coasters too, bought years ago somewhere. They depict Wrigley, Fenway, and other famous bastions of ball.George Gissing on his first trip to Rome, diary entry from December 14, 1888, Letters of George Gissing to Members of His Family (London : Constable, 1927) p. 264:Yes I can often relate to that, especially when on a sea vacation or in a great art museum. It feels like cheating and reminds me of the old 1980s-era book titled When I Relax I Feel Guilty.
Woke early this morning an enjoyed wonderful happiness of mind. It occurs to me, is this not partly due to the fact that I spend my days solely in the consideration of beautiful things, wholly undisturbed by base necessities and considerations? In any case the experience is most remarkable.
Lent has arrived, the bright sadness. The public confession of many that we are sinners who are going to die. In this case, a smudge on the forehead is not a sign of exclusivity or belonging to a club, but a sign of belonging to the human condition, the communion of sinners I believe PƩguy called it.
For adults, Lent begins not so much with liturgy and ashes, but with the hidden, personal and communal act of fasting, a shot across the bow of those of us who are tempted to fall into the reduction to appearances, the reduction to physical needs. An invitation to follow Jesus in affirming the priority of the Mystery who gives life over the means which mediate life to us.Amen to that, especially about the shot across the bow of those tempted to fall into a reduction to physical needs. Lord knows I'm prey to that such that when Christ says, “is not life more than about food?” I flinch a bit.
Prayer is more than just that portion of the day when we advise God about what we need and what he should do. Real prayer is much closer to listening, and it's intimately tied to obedience. God certainly wants to hear what we need and love and fear, because these things are part of our daily lives, and he loves us. But if we're doing the talking, we can't listen. Note too, that we can't really pray without humility. Why? Because prayer requires us to lift up who we are and everything we experience and possess to God. Pride is too heavy to lift.
Seventh, read. Scripture is the living Word of God. When we read God's Word, we encounter God himself. But there's more: J.R.R. Tolkien, C.S. Lewis, Georges Bernanos and so many others — these were deeply intelligent and powerful writers whose work nourishes the Christian mind and soul, while also inspiring the imagination. Reading also serves another, simpler purpose: It shuts out the noise that distracts us from fertile reflection. We can't read The Screwtape Letters and take network television seriously at the same time. And that's a very good thing.
“It the formulation of early church doctrines there was dissension, personal jealousy, intolerance, persecution, bigotry. That ouf of this welter should have arisen the Bible, with its fine inspiration, would seem to present a plausible basis for belief in its Divine origin.”Which reminds me of how that argument could be used for the Catholic Church given that so many popes and members have tried to unwittingly destroy it via our sometimes poor witness.
Over the years I've heard from many good people who want a closer relationship with God. But they're stymied by what they perceive as God's silence. What they often mean, without knowing it, is that they'd like God to do something dramatic in their lives; something with a hint of Mt. Sinai that proves his credentials.
But God typically doesn't work that way. He's not in the theater business. God wants to be loved and even in a sense “courted” — which means that we can't be passive partners in the relationship. We need to pursue God as we would the persons we love.
I was struck by this from St. Jerome in his commentary on Joel (first reading from today): The heart, like wineskins, does not tear of its own accord: it must be deliberately torn” (Commentarii in Ioelem, 2, 12ff). In the Prayer Over the People at the end of today's Mass we prayed for the gift of compunction, literally that we might be punctured — a concept very close to matanoia. Anyway, it struck me what courage this takes: to ask to be broken open so that Another may begin to heal us by His Mercy! Beautiful!
“Worldly wisdom in my knowing I know; heavenly wisdom, by contrast, consists in my know that God knows and living in the light of that knowledge.”
“His reference to the birds of the sky really says everything if we read it closely. No creature is more careless and free of movement, and yet no creature is more industrious, than the birds, who sing as they work and "sleep all the night with open eye”, as Chaucer says.
“The 'worrier', the 'over-achiever' who is always calculating losses and gains and providing for the morrow, the person the world considers a 'responsible adult', is here judged by Christ to be wasting his time on trifles, to be throwing away the better part of his energy and talents on a cause without a future. His soul is atrophying from lack of use, choking from incarceration…According to Scripture, the adult in the sight of God is the man who accepts the divine invitation to come to the banquet of grace in order to eat God's bread and drink his wine, while the immature child is the one who prefers to go on eating bland pap, that is, the insipid products of his own efforts.”He then quotes the Bible, Wisdom 16, concerning the Old Testament manna in the desert:
“You gave them the food of angels, from heaven untiringly providing them bread already prepared, containing every delight, to satisfy every taste. And the substance you gave showed your sweetness towards your children, for, conforming to the taste of whoever ate it, it transformed itself into what each eater wished.”
The entire multibillion-dollar, 2,000-campus American college system—with its armies of salaried professors, administrators, librarians, bursars, secretaries, admissions officers, alumni liaisons, development-office workers, coaches, groundskeepers, janitors, maintenance workers, psychologists, nurses, trainers, technology-support staffers, residence-life personnel, cafeteria workers, diversity-compliance officers, the whole shebang—depends overwhelmingly for its very existence on one resource: an ever-renewing supply of fee-paying undergraduates. It could never attract hundreds of thousands of them each year—many of them woefully unprepared for the experience, a staggering number (some 40 percent) destined never to get a degree, more than 60 percent of them saddled with student loans that they very well may carry with them to their deathbeds—if the experience were not accurately marketed as a blast. They show up on campus lugging enormous Bed Bath & Beyond bags crammed with “essentials,” and with new laptop computers, on which they will surf Facebook and Tumblr while some coot down at the lectern bangs on about Maslow’s hierarchy and tries to make his PowerPoint slides appear right side up. Many of these consumer goods have been purchased with money from the very student loans that will haunt them for so long, but no matter: it’s college; any cost can be justified. The kids arrive eager to hurl themselves upon the pasta bars and the climbing walls, to splash into the 12-person Jacuzzis and lounge around the outdoor fire pits, all of which have been constructed in a blatant effort to woo them away from competitors. They swipe prepaid cards in dormitory vending machines to acquire whatever tanning wipes or earbuds or condoms or lube or energy drinks the occasion seems to require. And every moment of the experience is sweetened by the general understanding that with each kegger and rager, each lazy afternoon spent snoozing on the quad (a forgotten highlighter slowly drying out on the open pages of Introduction to Economics, a Coke Zero sweating beside it), they are actively engaged in the most significant act of self-improvement available to an American young person: college!
That all of this fun is somehow as essential as the education itself—is somehow part of a benevolent and ultimately edifying process of “growing up”—is one of the main reasons so many parents who are themselves in rocky financial shape will make economically ruinous decisions to support a four-year-residential-college experience for their children. There are many thousands of American undergraduates whose economic futures (and those of their parents) would be far brighter if they knocked off some of their general-education requirements online, or at the local community college—for pennies on the dollar—before entering the Weimar Republic of traditional-college pricing. But college education, like weddings and funerals, tends to prompt irrational financial decision making, and so here we are. Add another pesto flavor to the pasta bar, Dean Roland! We just lost another kid to online ed!
That pursuing a bachelor’s degree might be something other than a deeply ascetic and generally miserable experience was once a preposterous idea. American colleges came into being with the express purpose of training young men for the ministry, a preparation that was marked by a chilly round of early risings, Greek and Latin recitations, religious study, and strict discipline meted out by a dour faculty—along with expectations of both temperance and chastity. Hardly conditions that would augur the current trillion-dollar student-loan balloon that hovers over us like a pre-ignition Hindenburg. But sexual frustration and homiletics would not last forever as the hallmarks of American college life.
“when we recognize beauty in a piece of music, or the graciousness of someone's conduct, we see things we know we have neglected or betrayed, and we feel an astonishing combination of anguish and delight.”
“But with infinite wisdom and goodness God freely willed to create a world “in a state of journeying” toward its ultimate perfection. In God’s plan this process of becoming involves the appearance of certain beings and the disappearance of others, the existence of the more perfect alongside the less perfect, both constructive and destructive forces of nature. With physical good there exists also physical evil as long as creation has not reached perfection.”
A different kind of revaluation of romantic attitude occurs in a poem entitled "The Abnormal Is Not Courage." Compared with the above examples, it is altogether more surprising and memorable, and remains one of the most widely cited of Gilbert's poems. Here is how it begins:
The Poles rode out from Warsaw against the German
tanks on horses. Rode knowing, in sunlight, with sabers.
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at its best.
It was impossible and with form. They rode in sunlight.
Were mangled. But I say courage is not the abnormal.
Not the marvelous act …This striking opening image stands as equivalent, in a military key, to Gilbert's own personal vibe of high-minded resistance to the mechanistic and modern (his heroes are instead the medieval love poets Dante and Arnaut Daniel, and—in a more complicated way—Ezra Pound). Those Polish cavaliers also represent, as we consider them in this context (as an image in a love poem), the traditions of courtly love and Liebestod. In the end, however surprisingly, the horsemen resemble Romeo and Juliet: elegant, noble, beautiful, fleeting, and doomed—or, better yet, to resort to a different Shakespeare play written in the same year as Romeo and Juliet, they are "quick bright things" that come to confusion. How wonderfully daring of Gilbert, then, to reject so resolutely that opening image, and every admirable thing it stands for: "But I say … " That declaration is characteristic of Gilbert, and this poem is stylistically in character with its short sentences or clipped speech.
That staccato effect becomes more pronounced in the final lines, but first Gilbert constructs a series of antitheses that allows him to declare, again and again, his preferred mode of love. "Not Macbeth with fine speeches," not the "bounty of impulse," but "Accomplishment. The even loyalty. But fresh. / Not the Prodigal Son, nor Faustus. But Penelope. / The thing steady and clear. Then the crescendo." Hearing a recording of Gilbert reading this poem once, I noticed his emphasis on the "Then": "Then the crescendo," as in "only then," and it is a revealing choice. Gilbert in this poem rejects shallower displays of love, which value drama but cannot sustain, as he says in the poem, "even small kindness." What he presents instead is a love grounded in genuine human regard, and what it lacks in not being meteoric or dolled up, it gains in quiet strength and commitment. It is not sub-romantic, but hyper—it asserts the necessary conditions for a higher form of lasting, deepening romance. It rhapsodizes on steadiness and clarity.
I continue to marvel at the paradoxes of this poem: how it mounts a defense of a stable marriage—"The marriage, / not the month's rapture"—yet sails sublimely above accusations of being reactionary, conservative, bourgeois, or, most damningly of all, unsexy or without passion. On the contrary, it remains a passionate poem, a celebration of a more durable, adult love, so valuing of itself and the beloved that it eschews those intensities that might burn it out. It also disdains grand shows of romance that are, in the end, bereft of love that is clear-eyed and firmly held. It favors instead, with its own charged language that nevertheless is rational and discursive,
… The beauty
That is of many days. Steady and clear.
It is the normal excellence, of long accomplishment.
In my few years sharing this poem with students, I have been struck by how it so easily can become an anthem for any number of male upperclassmen, at the height of their youthful ardor but with a wish to temper their own exuberance and idealizations for the sake of a vision that offers, somehow, long-term marital happiness, with passion still residing there and resilient to mere contentment and concord. Gilbert, you might say, was way ahead of Mumford & Sons. His poem is a heady potion.
****
"A Brief for the Defense," one of the collection's most regarded poems, finds Gilbert again occupying his high declarative mode:
Sorrow everywhere. Slaughter everywhere. If babiesSome lines in this powerfully affirming poem strike a note for human endurance, and for whatever it is in us that allows us still to embrace the world in which we often suffer, or, if we're lucky, in which we can settle for a knowledge of others' suffering. As the speaker says later, "We must admit there will be music despite everything." This line enjoys authority because of its begrudging quality—"We must admit … " Another pair of lines troubles me, though, and I may as well use them to illustrate a contest that Gilbert's poetry and the example of his poet's life have demanded from me as a reader over the years. In the poem, Gilbert mentions laughter in Calcutta's terrible streets, and women who laugh in cages in Bombay. He next writes, "If we deny our happiness, resist our satisfaction, / we lessen the importance of their deprivation." I resist this formulation in a visceral way, not only for the initial connection between one's own happiness and another's suffering, but also for the further implication that we, in seeking happiness, in any way reduce the plight of those suffering. It feels, to put it plainly, grossly self-absorbed, and with an ethical sensibility that is gauchely out of perspective.
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because it's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. …
****
[One] of the joys of rereading is for an admired text to be again put to the test, and, conversely, to see if the older self can live up to the sympathy and passion, the fresh eyes and impressionable mind, of the younger reader that he was. Other great works operate in reverse: the greatness of Lear, it increasingly seems to me, lies in the fact that it always seems far ahead of you, no matter the age or circumstance of reader or reading. A work like that is always waiting for you to catch up. Its deigning to look back at you constitutes both an act of mercy and a most intimidating challenge.
"The point McArdle makes is that small, consistent punishment for failure is a lot better than daramtic, unpredictable penalties...The most important example of this is the Hawaii HOPE program, in which probationers are watched closely, drug-tested frequently, and punished with a short jail sentence for any missteps -- whereas, elsewhere, probationers' minor violations are ignored for a period of time until law enforcement gets fed up and sends them to prison for years.It's long been puzzling to me how often people engage in the "unforced error" of not saving money and going into killer levels of debt even in the face of a job market that's subject to the vacillations of the business cycle. It's not rational. (Although for that matter sin isn't rational either.)
The program results in less incarceration despite setting a much lower bar for punishment. When punishment is consistent, even if it's small, people come to comprehend that their own behavior is what determines their treatment - they develop what psychologists call an 'internal locus of control.' There are similar situations throughout our society: When we give all kids a trophy, for example, we send them the message that their performance doesn't matter and deny them the experience of small failures. This just sets them up for big failures down the road."
"Unforgettable” — that’s probably the best word for L. Brent Bozell Jr. I knew him as a brilliant editorialist, a deeply committed Catholic, a devoted father of ten, and a passionate public speaker who could bring thousands to their feet......
Most of us have encountered someone who seizes our attention and perhaps captures our allegiance, not by wealth or power or position but by the intensity of his personality and the audacity of his vision. He is a visionary who brooks no compromise and accepts no limits. He will not let up until he achieves his goal — political, religious, cultural, whatever it may be — or is stopped in his tracks. He is not comfortable to be around, as he challenges you to consider what you are doing with your life.
Capturing such an incandescent individual in a biography of a few hundred pages is a daunting undertaking, and yet Daniel Kelly has done just that in Living on Fire. It is an exquisitely balanced and touching portrait of a man who at 38 wrote one of the most successful political books in modern times and who ended his life far from the public spotlight, seeking only the opportunity to care for the poorest of the poor.
Kelly, a distinguished professor of history for many years at New York University and the City University of New York, recounts some of what Bozell managed to accomplish before he was brought low by bipolar disorder — what we used to call manic depression — and alcoholism.
He was one half of a Yale debate team — the other half was William F. Buckley Jr., his roommate and, later, brother-in-law — that trounced all opponents, including a heavily favored team from Oxford University “that stalked off without shaking hands.”....
Legend has it that, as they approached graduation, the two young conservatives agreed to seek national positions commensurate with their positions at Yale. Buckley the journalist would wield influence through the written word, while Bozell the orator “would orate his way into the White House.” Together, they would end up running the country.
A favorite domestic target of Bozell was the Supreme Court, which he called “the partisan agent of a fashionable ideology, set on accomplishing by judicial edict what the ideology could not achieve through legitimate political channels.” Under Chief Justice Earl Warren, Bozell wrote, the Court’s “controlling purpose” was “to give legal sanction . . . to the political judgments of the Establishment,” a gross violation of the judiciary’s constitutional function. He would develop this theme in his prescient 1966 book, The Warren Revolution, which anticipated the epic constitutional battles of the 1980s that continue to this day.
Although it did not carry his name, he was the ghost writer of the most widely read political manifesto of the 1960s — Barry Goldwater’s The Conscience of a Conservative. Some 3.5 million copies would be sold and distributed. It set forth a conservative platform — of limited government (including a flat tax and an end to farm subsidies) as well as a strong national defense — that has served the Right as a political guide ever since.
Kelly writes that when word leaked out that Bozell had written the Goldwater book — now part of “the movement’s holy writ” — he entered “conservative stardom’s upper tier.” Suddenly, he seemed to be everywhere, running for Congress in Maryland, helping to found the American Conservative Union, being present at the creation of the Philadelphia Society, and finishing his opus on the Warren Court. But all the while he had in mind something that had never been attempted in America — a conservative Catholic political magazine. The more he reflected on it, the more convinced he was that launching the magazine was his calling, that it was his duty to serve “the Catholic cause.”
In its short ten-year history, writes Kelly, Triumph took on liturgical reform (no more “hootenanny” Masses!); life issues, such as birth control, abortion, and sex education; and secular topics, such as Vietnam. Liberalism was invariably indicted as the principal cause of America’s moral and cultural decay. The magazine used strong, blunt language, calling for direct action to bring about the changes it felt were urgently needed. “Triumph is invariably called a ‘conservative Catholic’ magazine,” the editors wrote, “but we prefer to be known as ‘radical Christian.’”
Bozell would discover that there are not many radical Christians on the right, and Kelly notes that conservative Catholics stopped subscribing to the magazine “in droves.” From a peak of 30,000 subscribers in the first years, it declined steadily, reaching an estimated low of 3,000. But, as Triumph’s prospects declined, Bozell’s dreams expanded. The manic side of his disorder, fueled by copious amounts of bourbon, black coffee, and cigarettes, dominated. Many of his ideas were unrealistic, but others met proven needs.
The time had come, Bozell felt, to make America and eventually the whole world Catholic. He envisaged a national lobby against the legalization of abortion. The idea became Americans United for Life, one of the most effective pro-life groups in the country. Seeking to inculcate the Faith in young laypeople, he organized an eight-week summer school in Spain that was revamped into a four-year liberal-arts college, Christendom College, a traditionalist Catholic school that flourishes to this day.
In the spring of 1970, after a court decision legalized abortion in Washington, D.C., Kelly recounts, Bozell mounted what was probably the nation’s first anti-abortion protest rally. Naming themselves the Sons of Thunder (see Mark 3:17) and dressed in red berets and khaki shirts with a patch bearing the image of the Sacred Heart, he and a couple of other leaders marshaled several hundred activists at a park across from the George Washington University Hospital clinic, where abortions were being performed. Shouting “Viva Cristo Rey!” Bozell took a small group of the protesters across the street to deliver his request for permission to baptize fetuses. There was a scuffle between them and hospital guards, a glass room was shattered, the police arrived, and Bozell was arrested and placed in handcuffs.
The June protest, Kelly says, “sealed Brent’s fate” as a Catholic leader. Fearing further violence, the Catholic bishops refused to endorse an ecumenical right-to-life congress he proposed. Found guilty of unlawful entry and damaging property, he received a suspended sentence and five years’ probation along with a stern warning that future protests could land him in prison.
Frustrated by “Catholic docility” in the face of the hedonistic counterculture, and unable to persuade many of his old political friends to support a pro-life constitutional amendment, Bozell turned increasingly radical and critical of the United States, even, according to Kelly, accepting the New Left’s practice of spelling America with a “k” and not a “c.”
Exactly when Bozell became a victim of bipolar disorder is difficult to pinpoint, but he had been subject to wide swings of mood and behavior for years, alternating between extreme euphoria and apathy, often on the same day. He was officially diagnosed in 1976, marking the start of a manic stage so disconnected from reality that his close friend and colleague Mike Lawrence referred to the ensuing years as a “lost decade.” Lithium could moderate the bipolar swings that now ruled him, Kelly writes, but Bozell hated “the feeling of mental suffocation it produced.” Formerly a heavy drinker, Bozell was now an alcoholic. Manic episodes took him to Guatemala on a mission of mercy among the poor and to the Pax Center, a Catholic peace-and-justice community in Erie, Pa., whose director described him as “a magnificent wreck: brilliant, ardent, relentless, and well-read, and yet a wreck, like a Mercedes in a ditch with a busted axle and broken glass on the seats.”
However, in the 1980s, Brent Bozell entered into a new period, taking his medication regularly and stopping his drinking. He took up writing again, focusing on the meaning of mercy, defining it as “an attempt to alleviate the suffering of another, motivated by love.” He pronounced the duty of mercy binding on all Christians, especially a North American obligation to aid poverty-stricken Central America. His personal response was to help a number of organizations across the Washington area, including a soup kitchen in a poor Hispanic enclave, the Lorton prison in northern Virginia, and a shelter for the poor established by the Sisters of Charity.
“Beset by illness, mishap, and failure,” writes Kelly toward the end of his sensitive yet candid biography, “Brent went on performing the corporal works of mercy to the fullest extent his worsening health allowed. Even on the verge of death, he was still at it.”
In April 1992, Bozell became a Third Order Discalced Carmelite, calling his joining of this religious order a birthday present for his beloved wife Trish, close by his side throughout his tumultuous life. In late 1996 he was forced to enter an assisted-living home but he continued his works of mercy as best he could. In his last weeks, he would “limp through the wards of a nursing home near his own, trying to console patients.” His funeral, held at Washington’s Our Lady of Mount Carmel, was attended by conservatives of every stripe — libertarian, anti-Communist, traditionalist — who celebrated his many contributions to the movement. His tombstone reads, “A just and honest man.”
In the book’s afterword, Daniel Kelly writes that many people might consider Brent Bozell to have been a failure, a man of much promise and prominence who “wound up helping nuns serve soup to Washington derelicts.” But Kelly rejects any such conclusion, saying that by the standards Bozell embraced and acted upon, his life was a triumph. So, too, is this moving, beautifully written biography.
In 1995, in a deadpan, deliberatively provocative essay, Vergara proposed the city “place a moratorium on the razing of skyscrapers, our most sublime ruins, and instead … stabilize them,” setting aside a dozen or so downtown blocks as an “urban Monument Valley” that would act as a “memorial of our throwaway cities,” an “American Acropolis”: Midwestern prairie would be allowed to invade from the north. Trees, vines, and wildflowers would grow on roofs and out of windows; wild animals, goats, squirrels, possum, bats, owls, ravens, snakes, insects, and perhaps even an occasional bear would live in the empty behemoths, adding their calls, hoots, and screeches to the smell of rotten leaves and animal droppings.
“What is innocence? It is that which has not been touched by the world, that which has not been destroyed, it is like water into which a stone has never been thrown. It’s not that you don’t have lusts, that you don’t have desire, for you do, it’s just that you conserve innocence. Your insanely huge longing for beauty comes in here as well.”
“Innocence and purity have become a symbol of stupidity, but that’s nowadays. We live in a culture where the person with the most experience wins. It’s sick. Everyone knows which way modernism is going, you create a form by breaking up a form, in an endless regression, just let it continue, and for as long as it does, experience will have the upper hand. The unique feature of our times, the pure or independent act, is, as you know, to renounce, not to accept. Accepting is too easy. There’s nothing to be achieved by it.“
"You wallow in asceticism. As I see it, it’s extremely unusual. Extremely deviant. I don’t think I’ve ever met anyone, or heard of anyone … well, as I said, then I have to go back to the saints or the church fathers…Others search and search, and when they find a nugget, they sell it to acquire life, splendor, music, dance, enjoyment, luxury, or at least a bit of pussy, right, throw themselves at a woman just to forget they exist for an hour or two. What you lust for is innocence and this is an impossible equation. Lust and innocence can never be compatible. The ultimate is no longer the ultimate once you’ve stuck your dick in it. Not to strive for a happy life is the most provocative thing you can do.“
“Greek confidence in the [naked] body can be understood only in relation to their philosophy. It expresses above all their sense of human wholeness. Nothing which is related to the whole man could be isolated or evaded; and this serious awareness of how much was implied in physical beauty saved them from the two evils of sensuality and aestheticism.” - Kenneth ClarkThe key phrase for me is “serious awareness” and how that is the foundation for a Christian view of sex. There has to be a serious awareness of what the purpose of sex is, of its nobility, and how it's related to wholeness and integrity.
“the bodies were there, the belief in the gods was there, the love of rational proportion was there. It was the unifying grasp of the Greek imagination which brought them together. And the nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which mankind is capable, mathematical order, and makes it a delight to the senses; it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshipped for the life-giving beauty rather than their death-dealing powers.”*

I raised the glass to my mouth and felt the froth touch my lips, the cold, slightly bitter liquid fill my mouth – which was so unprepared for all this taste that a shiver ran through me – and slip down my throat. Ahh.
When you visualized the future and conjured up a world where urban life had spread everywhere and man had achieved his long-desired symbiosis with the machine, you never took account of the simplest elements, beer, for example, so golden and flavorsome and robust, made from corn in the field and hops in the meadow, or bread or beetroot with its sweet but dark, earthy taste, all this we had always eaten and drunk at tables made of wood, inside windows through which beams of sunlight fell. What did people do in these seventeenth-century palaces, with their liveried servants, high-heeled shoes and powdered wigs, which were pulled down over skulls full of seventeenth-century thoughts, what else if not drink beer and wine, eat bread and meat and piss and shit? The same applied to the eighteenth, nineteenth and twentieth centuries...all manner of strange ideas and beliefs emerged and vanished, useful and useless objects were discovered, science penetrated ever deeper into the world’s mysteries, machines grew in number, speeds increased and ever greater areas of old lifestyles were abandoned, but no one dreamed of discarding beer or changing it. Malt, hops, water. Field, meadow, stream.
We were rooted in the archaic past, nothing radical about us, our bodies or needs had changed since the first human saw the light of day somewhere in Africa forty thousand years ago or however long Homo sapiens had existed. But we imagined it was different, and so strong was our imaginative power we not only believed that but we also organized ourselves accordingly...
How could the notion that we were modern even arise when people were dropping all around us, infected with illnesses for which there were no remedies? Who can be modern with a brain tumor? How could we believe we were modern if we knew that everyone would soon be lying somewhere in the ground and rotting?
**
...there was a wealth of nuance in her personality, and you intuited a psychological depth, with no apparent signs of neuroticism, the constant companion of sensitivity of course.
From "Goldfinch" novel by Donna Tartt:
On our vocabulary list a few days before we’d had the word consanguinity: joined in blood. The old man’s face had been so torn up and ruined I couldn’t even say exactly what he’d looked like, and yet I remembered all too well the warm slick feel of his blood on my hands—especially since in some way the blood was still there, I could still smell it and taste it in my mouth, and it made me understand why people talked about blood brothers and how blood bound people together. My English class had read Macbeth in the fall, but only now was it starting to make sense why Lady Macbeth could never scrub the blood off her hands, why it was still there after she washed it away.From St. Augustine's "Confessions":
What indeed am I to you, that you should command me to love you, and grow angry with me if I do not, and threaten me with enormous woes? Is not the failure to love you woe enough in itself?*
By calling upon you I untied the knots of my tongue and begged you, in my little-boy way but with no little earnestness, not to let me be beaten at school. You did not hear my prayer, lest by hearing it you might have consigned me to a fool’s fate; so my stripes were laughed at by my elders and even my parents, who would not have wished anything bad to happen to me. But bad it was, and very dreadful for me.From Jack Gilbert's poems:
The pregnant heart is driven to hopes that are the wrong size for this world. Love is always disturbing in the heavenly kingdom. Eden cannot manage so much ambition. The kids ran from all over the piazza yelling and pointing and jeering at the young Saint Chrysostom standing dazed in the church doorway with the shining around his mouth where the Madonna had kissed him.