October 07, 2009

Dickens & Bone

The older I get the more I think: "why read modern novelists when you can read Dickens?" The following delightful passage from Charles Dickens' Pictures of Italy reminds me of Ham of Bone's reaction to our first gathering at Tara Hall on St. Patrick's Day: wonderment that the ages mixed so innocently and that despite the alcohol flowing freely the congenial wholesomeness of the scene. Here Dickens writes of the final day of Carnival:
As the bright hangings and dresses are all fading into one dull, heavy, uniform colour in the decline of the day, lights begin flashing, here and there: in the windows, on the housetops, in the balconies, in the carriages, in the hands of the foot-passengers: little by little: gradually, gradually: more and more: until the whole long street is one great glare and blaze of fire. Then, everybody present has but one engrossing object; that is, to extinguish other people’s candles, and to keep his own alight; and everybody: man, woman, or child, gentleman or lady, prince or peasant, native or foreigner: yells and screams, and roars incessantly, as a taunt to the subdued, ‘Senza Moccolo, Senza Moccolo!’ (Without a light! Without a light!) until nothing is heard but a gigantic chorus of those two words, mingled with peals of laughter.

The spectacle, at this time, is one of the most extraordinary that can be imagined... Senza Moccolo! Senza Moccolo! Beautiful women, standing up in coaches, pointing in derision at extinguished lights, and clapping their hands, as they pass on, crying, ‘Senza Moccolo! Senza Moccolo!’; low balconies full of lovely faces and gay dresses, struggling with assailants in the streets; some repressing them as they climb up, some bending down, some leaning over, some shrinking back - delicate arms and bosoms - graceful figures - glowing lights, fluttering dresses, Senza Moccolo, Senza Moccoli, Senza Moc-co-lo-o-o-o! - when in the wildest enthusiasm of the cry, and fullest ecstasy of the sport, the Ave Maria rings from the church steeples, and the Carnival is over in an instant - put out like a taper, with a breath!

...

The game of the Moccoletti (the word, in the singular, Moccoletto, is the diminutive of Moccolo, and means a little lamp or candlesnuff) is supposed by some to be a ceremony of burlesque mourning for the death of the Carnival: candles being indispensable to Catholic grief. But whether it be so, or be a remnant of the ancient Saturnalia, or an incorporation of both, or have its origin in anything else, I shall always remember it, and the frolic, as a brilliant and most captivating sight: no less remarkable for the unbroken good-humour of all concerned, down to the very lowest (and among those who scaled the carriages, were many of the commonest men and boys), than for its innocent vivacity. For, odd as it may seem to say so, of a sport so full of thoughtlessness and personal display, it is as free from any taint of immodesty as any general mingling of the two sexes can possibly be; and there seems to prevail, during its progress, a feeling of general, almost childish, simplicity and confidence, which one thinks of with a pang, when the Ave Maria has rung it away, for a whole year.

3 comments:

Enbrethiliel said...

+JMJ+

You might like this post, written by a young reader of Charles Dickens who has just learned that Dickens fans are mostly 50 years old and above:

http://ribbonsoflight.blogspot.com/2009/09/voluntary-readers-of-dickens-endangered_19.html

TS said...

I'll check it out - being under 50 I'm in that endangered group.

Anonymous said...

It was certainly interesting for me to read this post. Thanks for it. I like such themes and anything that is connected to them. I would like to read a bit more soon.